- Home Page
- Index
- Peter Olds – Over the Road
- Roger Hickin – Minding his own poetry composing business
- Te Purere: The Exodus
- James K Baxter – A Branch Torn Down
- Doc Drumheller – Hotel Theresa
- Dunstan Ward – Departures
- Leonard Lambert – Slow Fires
- Peter Olds – The Glass Guitar
- Roger Hickin – Residual Gleam
- Pat White – Night Shifts
- John Allison – A Long Road Trip Home
- James K Baxter – The Selected Poems
- Peter Olds – Out of the Jaws of Wesley
- Roger Hickin –Roderick Finlayson A Man from Another World
- Michael Harlow – Renoir's Bicycle
- David Howard – Rawaho
- Doc Drumheller – Drinking with Li Bai
- John Gibb – Surprised by Hope
- Peter Olds – Sheep Truck
- John Weir – Sparks among the Stubble
- Alexander Blok – The Twelve
- Jenny Powell – Meeting Rita
- Owen Leeming – Latitudes
- Peter Hooper – Rejoice Instead
- Doc Drumheller– Election Day of the Dead
- John Allison – Near Distance
- A Roderick Finlayson Reader
- Joaquin Pasos – A Poem Goes About on Foot
- Ruth France – No Traveller Returns
- Robert Mclean – Enduring Love
- Tony Beyer – Friday Prayers
- Dunstan Ward – At This Distance
- Friedrich Voit – Karl Wolfskehl A Poet in Exile
- R A K Mason – Uncollected Poems
- John Allison – A Place To Return To
- Dan Davin – From Cairo to Cassino
- Victoria Broome – How We Talk to Each Other
- Ruth Hanover – Other
- Peter Olds – Under the Fuchsia Tree
- Dai Weina – Loving you at the speed of a snail
- Leonard Lambert – Winter Waves
- Heather Bauchop – Remembering a Place I've Never Been
- Robert McLean – Figure & Ground
- Owen Leeming – Through your eyes
- Pat White – Watching for the wingbeat
- Michael Morrissey – Poems from Hotel Middlemore
- Dan Davin – A Field Officer's Notebook
- Rogelio Guedea – Punctuation
- Erik Kennedy – Twenty-Six Factitions
- Jenny Powell – South D Poet Lorikeet
- Karl Wolfskehl – Poetry and Exile
- Tony Beyer – Anchor Stone
- Katharina Muller – The Homeland
- Ted Jenner – The arrow that missed
- Peter Olds – Taking my jacket for a walk
- John Gibb – Waking by a river of light
- Carlos Martinez Rivas – Threnody for Joaquin Pasos
- Blanca Castellon – Water for days of thirst
- Karl Wolfskehl – Three Worlds Drei Welten
- Michael Jackson – Walking to Pencarrow
- Diana Bridge – In the supplementary garden
- Agnar Artúvertin – The Lonesome Savior
- Sophia de Mello – The Perfect Hour
- Poems by Esenin
- Nikolai Baitov – Thirty-nine rooms
- Jenny Powell –Trouble
- Peter Olds – You fit the description
- Rogelio Guedea – If only you hadn't gone
- Ernesto Cardenal – 3 Poems
- John Gallas – Pacifictions
- David Howard – The Speak House
- Frank Koenegracht – Selected Poems
- John Gibb – The thin boy and other poems
- Michael Harlow – Sweeping the courtyard
- Blanca Castellon – Cactus body
- Elizabeth Smither – Ruby Duby Du
- Karl Wolfskehl – To the Germans
- Juan Cameron – So we lost paradise
- David Howard – The incomplete poems
- Jenny Powell – Ticket Home
- Robert McLean – A Graveyard by the Sea
- Sergio Badilla Castillo – Ghosts and shadows
- Sergio Badilla Castillo – The Medusa's head
- Claudia Serea – The System
- Genrikh Sapgir – Psalms
- Floarea Tutuianu – My Dog–the Soul
- Michael Morrissey – Memory Gene Pool
- Peter Olds – Journey to the Far South
- Aleksey Porvin – Live by Fire
- J. Kates – The Old Testament
- Juan Cameron – Invocations to Pincoya in the Country of Rain
- Wayne Seyb – Broken Shadows
- John Gallas – Fucking Poets
- Tatiana Shcherbina – An Offshoot of Sense
- Mikhail Aizenberg – Level with Us
- Gary Langford – Cafe Sonnets
- Stephen Oliver – Apocrypha
- Jeffrey Paparoa Holman – Autumn Waiata
- Jean-Pierre Rosnay – Secret Wars
- Forthcoming titles and Submissions
- Out of print titles
Publication date: May 07, 2018
A FIELD OFFICER’S NOTEBOOK
Selected Poems
Dan Davin
edited with an introduction by Robert McLean
ISBN: 978-0-473-43068-9
Softcover, 104 pp, 210 x 145mm
freepost per copy – national & international
price NZ$29.95
‘This is one of those rare posthumous publications that allows us to read
an author we know from a new and more personal perspective.’
––Vincent O’Sullivan
Dan Davin, best known for his prose fiction, memoirs, and work in academic publishing, also wrote poetry. Not that he wrote poetry throughout his life; rather, it was almost exclusively written in three discrete periods: during the mid-to-late 1930s while at university in New Zealand and England; during the Second World War while on service in Greece, North Africa, and Italy; and after his retirement from the Clarendon Press in England in the mid-eighties. A Field Officer’s Notebook makes this body of work available to general readers for the first time.
Although all Davin’s poems deserve to be read, those he wrote during his time as an intelligence officer with the Second New Zealand Division are revelatory and ought to be given their due as much by students of literature as by those of modern warfare. Quite unlike anything in New Zealand literature––exacting yet generous, angry but tender, almost sui generis––they speak strangely of even stranger things that defined a generation and stand comparison with the finest poetry to have come out of the Second World War. Indeed some are amongst the finest poems written by any New Zealander during the forties and deserve to be read in such a light. Many of the poems of Davin’s “late period” revisit the battlefields he’d fought in forty years before. Some revisit the days of his youth in Invercargill and Dunedin, while others explore his Irishness and record with heavy heart but light touch the “fighting withdrawal” of his final years. Almost all are taken from notebooks and manuscripts deeply scored by Davin’s emending pen.
Davin’s poems speak unguardedly and disarmingly about one man’s life, his loves and losses, in a voice that haunts long after it has been heard.

'Had I constrained my spirit then'
Had I constrained my spirit then
To put on learning’s gown
I might have scorned the life of men
And walked with the scholar’s frown.
Well-informed I should have strode
Lettered and erudite
Subscribing to a college code
And mouthing maxims trite.
I might have lost humanity
And withered to a don
But I preferred profanity
Love and demijohn.
Cashelnagor, 1937
© The Estate of Dan Davin 2018