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- Jenny Powell – Biology Field Trip
- Riemke Ensing – Blue is a cracked vase in memory
- Peter Olds – Over the Road
- Roger Hickin – Minding his own poetry composing business
- Te Purere: The Exodus
- James K Baxter – A Branch Torn Down
- Doc Drumheller – Hotel Theresa
- Dunstan Ward – Departures
- Leonard Lambert – Slow Fires
- Peter Olds – The Glass Guitar
- Roger Hickin – Residual Gleam
- Pat White – Night Shifts
- John Allison – A Long Road Trip Home
- James K Baxter – The Selected Poems
- Peter Olds – Out of the Jaws of Wesley
- Roger Hickin –Roderick Finlayson A Man from Another World
- Michael Harlow – Renoir's Bicycle
- David Howard – Rawaho
- Doc Drumheller – Drinking with Li Bai
- John Gibb – Surprised by Hope
- Peter Olds – Sheep Truck
- John Weir – Sparks among the Stubble
- Alexander Blok – The Twelve
- Jenny Powell – Meeting Rita
- Owen Leeming – Latitudes
- Peter Hooper – Rejoice Instead
- Doc Drumheller– Election Day of the Dead
- John Allison – Near Distance
- A Roderick Finlayson Reader
- Joaquin Pasos – A Poem Goes About on Foot
- Ruth France – No Traveller Returns
- Robert Mclean – Enduring Love
- Tony Beyer – Friday Prayers
- Dunstan Ward – At This Distance
- Friedrich Voit – Karl Wolfskehl A Poet in Exile
- R A K Mason – Uncollected Poems
- John Allison – A Place To Return To
- Dan Davin – From Cairo to Cassino
- Victoria Broome – How We Talk to Each Other
- Ruth Hanover – Other
- Peter Olds – Under the Fuchsia Tree
- Dai Weina – Loving you at the speed of a snail
- Leonard Lambert – Winter Waves
- Heather Bauchop – Remembering a Place I've Never Been
- Robert McLean – Figure & Ground
- Owen Leeming – Through your eyes
- Pat White – Watching for the wingbeat
- Michael Morrissey – Poems from Hotel Middlemore
- Dan Davin – A Field Officer's Notebook
- Rogelio Guedea – Punctuation
- Erik Kennedy – Twenty-Six Factitions
- Jenny Powell – South D Poet Lorikeet
- Karl Wolfskehl – Poetry and Exile
- Tony Beyer – Anchor Stone
- Katharina Muller – The Homeland
- Ted Jenner – The arrow that missed
- Peter Olds – Taking my jacket for a walk
- John Gibb – Waking by a river of light
- Carlos Martinez Rivas – Threnody for Joaquin Pasos
- Blanca Castellon – Water for days of thirst
- Karl Wolfskehl – Three Worlds Drei Welten
- Michael Jackson – Walking to Pencarrow
- Diana Bridge – In the supplementary garden
- Agnar Artúvertin – The Lonesome Savior
- Sophia de Mello – The Perfect Hour
- Poems by Esenin
- Nikolai Baitov – Thirty-nine rooms
- Jenny Powell –Trouble
- Peter Olds – You fit the description
- Rogelio Guedea – If only you hadn't gone
- Ernesto Cardenal – 3 Poems
- John Gallas – Pacifictions
- David Howard – The Speak House
- Frank Koenegracht – Selected Poems
- John Gibb – The thin boy and other poems
- Michael Harlow – Sweeping the courtyard
- Blanca Castellon – Cactus body
- Elizabeth Smither – Ruby Duby Du
- Karl Wolfskehl – To the Germans
- Juan Cameron – So we lost paradise
- David Howard – The incomplete poems
- Jenny Powell – Ticket Home
- Robert McLean – A Graveyard by the Sea
- Sergio Badilla Castillo – Ghosts and shadows
- Sergio Badilla Castillo – The Medusa's head
- Claudia Serea – The System
- Genrikh Sapgir – Psalms
- Floarea Tutuianu – My Dog–the Soul
- Michael Morrissey – Memory Gene Pool
- Peter Olds – Journey to the Far South
- Aleksey Porvin – Live by Fire
- J. Kates – The Old Testament
- Juan Cameron – Invocations to Pincoya in the Country of Rain
- Wayne Seyb – Broken Shadows
- John Gallas – Fucking Poets
- Tatiana Shcherbina – An Offshoot of Sense
- Mikhail Aizenberg – Level with Us
- Gary Langford – Cafe Sonnets
- Stephen Oliver – Apocrypha
- Jeffrey Paparoa Holman – Autumn Waiata
- Jean-Pierre Rosnay – Secret Wars
- Forthcoming titles and Submissions
- Out of print titles
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When Owen Leeming’s first and only New Zealand poetry collection, Venus is Setting, was published by Caxton Press in 1972, the author had, as editor Robert McLean writes in his introduction, “long since quit New Zealand for life, love, and work elsewhere. Although he returned to New Zealand in the early sixties after travel and work as a broadcaster in London, where he participated in The Group alongside fellow expat Peter Porter, Leeming soon left again. Eventually he made his home in France, where he has spent the best part of four decades, latterly working as a translator with OECD after a series of consultancies with UNESCO.”
He continued to write poetry and a handful of poems appeared during the 1970s in Landfall and Islands. In 1986 Leeming made the first of a number of return trips to New Zealand, which led to him write some of the poems included in this selection. In 2014, forty years since his last poems were published in New Zealand, two appeared in Poetry NZ. As McLean puts it: “the intervening decades had not at all lessened the jubilant skepticism and attentive itinerancy that marks this singular voice.”
It is to be hoped that with this new collection Owen Leeming finds at least some measure of the readership his achievements so clearly deserve.
“This book may be a small vessel but it has two masts, the sequences ‘Sirens’ and ‘Khalwat’, that allow it to sail clear from the swell of ‘The Priests of Serrabonne’, a classic that made Landfall in 1962. Leeming has tied himself to his backbone, resisting an immediate yet transitory appeal (‘the hangi/ in the Sheraton Hotel’) to wonder: ‘Can Lacan draw that sky?’ His craft circumnavigates our world in more than words.”
––David Howard
“Mr Leeming’s […] masterly poem, ‘The Priests of Serrabonne’, […] is one of the documents to which I turn for reassurance in my private clumsy labours to undo the harm the Catholic Church does to her young, and to support and initiate a heart-centred Catholic humanism. I respect to the hilt Mr Leeming’s honest atheistic humanism […] with a sense of comradeship among equals.” ––James K. Baxter, Landfall vol. 25 no. 2 (June 1971)
“… a particular scrupulousness has been and is at work, even a finickyness, uncommon among our writers . . . Mr Leeming’s book is unusual, and subtle. His craft is very accomplished.” ––Kendrick Smithyman, review of Venus is Setting, Islands 5, vol. 2 no. 3 (Spring 1973)

Doubtful Sound
Telluric push-ups, rains
inordinate, gouging ice
wrought these tree-robed
skyclutchers walling
to the sea. Thank or curse
the bauxite, politicians
for a potholed road through moss,
jouncing bus, jetty,
turbines in the native rock.
We at least can guess
the virgin’s look, her falls
of tears, before she came a whore.
It had better been for us
and children after to ignore,
to have kept the doubt . . . sound.
© Owen leeming 2018
Publication date: August 6, 2018
THROUGH YOUR EYES
poems early and late
Owen Leeming
edited with an introduction by Robert McLean
ISBN: 978-0-473-44419-8
Softcover, 52 pp, 210 x 148mm